documentary

RUCK IT!

What starts out like a sports commercials, gets you to tears three minutes later and ends up making you feel all warm and hopeful?

RuckItPoster.jpg

Ruck it is one of those films one simply can’t and shouldn’t ignore. On the top of it being very well made.
Kelvin DeSena, the director, answered our series of questions.

There is an ad in a newspaper with your photo in it. What does it say?
‘’If he can make films. Anyone can! Look at that melonhead!’’

When it comes to complexity and difficulty of producing an art work, filmmaking is very close to the top. What makes the whole journey, often unpleasant, worthwhile for you?
I’m no tortured artist nor do I see filmmaking as special. Yes it’s hard, but so is anything worth doing. I think we should spend less time talking about how hard it is and more time talking about how easy it is. Filmmaking has never been so accessible. More people should be doing it! It’s so much fun!

Why this film?
Honest answer is, I was approached to make it by a guy at Mencap. He had been to a private screening of a short documentary telling the story of a swimming club called Swim Dem Crew. He wanted to do something similar as they have some incredible stories to tell and we were lucky enough to be approached to make it! I thought it was an amazing opportunity and threw myself into it. Plus, I'm a big rugby fan as well!

You have unlimited budget, green light for your dream project and can cast anyone you want…
I would make an awful big budget film. It would probably have giant laser beams in the sky with Arnold Schwarzenegger lifting large heavy objects whilst delivering terrible one liners...actually that sounds pretty cool!!!
I think I would use the money to make five low budget films, casting new and exciting actors that can add a new voice. Would also be nice to have Riz Ahmed on board as well. I would love to see British Asians represented more in film as I think we have something to contribute.  

What are your future goals regarding filmmaking?
To make more and to get better, whilst making new friends and having a laugh, and if I can continue to pay my rent as well, then that would be a bonus.

Kelvin DeSena

Kelvin DeSena

Ruck it! will be screened on our May CineShots and we will have Kelvin DeSena there to talk to so get your questions ready, get your tickets here and we’ll see you Tuesday, 14.5. at 19.30!

Where is Europe?

The last few years have been very strongly marked by migrating crisis all over the world. Some resulting in dividing countries, some in people’s lives being lost.
Where is Europe went on board a rescue vessel that was right in the middle of it all.

Valentina Signorelli, the director, answered the CineShots questionnaire.

There is an ad in a newspaper with your photo in it. What does it say?
Valentina Signorelli (PhD Film) is a professional writer and producer based in London, UK. In 2016 she co-founded Daitona production in Italy, recently awarded as the most innovative young production company of the country. 

When it comes to complexity and difficulty of producing an art work filmmaking is very close to the top. What makes the whole journey, often unpleasant, worthwhile for you?
The idea that what you first had in mind can potentially reach millions of people and make a positive impact on their lives. 

Why this film?
This film is set on board the NGO migrant rescue vessel Aquarius, the same kept stuck at sea in 2018 for over a week and with 629 refugees onboard. Where is Europe? explores one of the most tragic humanitarian crisis through the eyes of the humanitarian operators in their everyday life on board the rescue vessel.

You have unlimited budget, green light for your dream project and can cast anyone you want...
I would love to produce a series out of this short exploring who are the people of Europe today and what is the impact of the EU on their everyday life. Each episode would follow the life of a group of Europeans living in a strategical, geographical, political or cultural area in the hope to promote awareness and call for cooperation. 

What are your future goals regarding filmmaking?
With another couple of colleagues, I run a small production company based in Italy, Daitona. In the near future, I would like to expand our network and co-produce other projects with new partners around the world.

Valentina Signorelli

Valentina Signorelli

The amazing short Where is Europe will be screened 145.2019 at Streatham Space Project.
Click for tickets.

Rituals For Change

Did you know witchcraft is still a thing?
And did you also know it can actually be a good thing?
Whatever your answers to the questions above “Rituals for Change”, creatied by Leanne Davies, is a beautiful experimental short documentary meditating on that idea.

Leanne Davis

Leanne Davis

We shot our regular set of qeustions at Leanne just to get her know a bit better.

CineShots: There is an ad in a newspaper with your photo in it. What does it say?

Leanne Davis: Oh I honestly have no idea. I'm still figuring out who I am as a filmmaker so I think other people are probably better placed to answer that than me at the moment! 'A work in progress' maybe?

CS: When it comes to complexity and difficulty of producing an art work filmmaking is very close to the top. What makes the whole journey, often unpleasant, worthwhile for you?

LD: I ask myself this a lot! I don't know, I just feel compelled to do it! One of my friends who is an incredible filmmaker likened the process to birthing a child - it's this irrational compulsion to create something and something happens to block out how traumatic the actual delivery is! It's frustrating but also exciting because you never really know how it's going to turn out, to a level which I think it's unique to film.

CS: Why this film?

LD: I've always been really drawn to witchcraft and the occult, and so it was a great excuse for me to explore my interest in it. But I was also fascinated by the recent resurgence of interest in it and what it meant politically, and what happens to the archetype of the witch when it becomes commodified and assimilated into the same system to which it is the antithesis. I was also curious about how to represent such practices in the medium of film. I still haven't quite figured that out!

CS: You have unlimited budget, green light for your dream project and can cast anyone you want...

LD: Well I don't tend to work with actors so I would probably spend the budget on music and locations! I would love to travel around the world and meet different communities of witches!

CS: What are your future goals regarding filmmaking?

LD: I would love to collaborate more as it's just been a one man band job so far. I'd love to work with other filmmakers and artists from other disciplines, especially sound artists, and get a proper budget so I can hire a producer! I'd also really like to experiment with different mediums, particularly 16mm.

Her film will be screened 16.4. at our 3rd CineShots, followed by a Q&A and a chance to have a chat with her and everyone else.

Be there or be somehwere else.