The Drive

How does one talk about memories when the memory starts dissolving?
There’s films about father-son relationships and there’s films that make you want to call your parents and tell them how much you love them. Guess which one is The Drive.

Adam Thomas Wright is much younger than he should be to create a film such as The Drive and we’re always amazed by the talent and will of the new filmmaking generation.

There is an ad in a newspaper with your photo in it. What does it say?
Adam Thomas Wright: Starring in Mr Potato Head biopic

When it comes to complexity and difficulty of producing an art work filmmaking is very close to the top. What makes the whole journey, often unpleasant, worthwhile for you?
Yeah, filmmaking can be very challenging. Take, for example, the sheer unpredictability of it. On The Drive, the weather really influenced the project in a bad way. When you are on a shoestring budget, you've got to plan properly with stringent time restraints on kit hire etc. And when Mother Nature comes along and throws it awry, it can be hard. But each challenge is an experience to learn from. Everything gets a little easier after each challenge you face. And that's worth it.

Why this film?
I was actually sitting in a car, driving down a country road late at night. I thought about how cool it would be to have a series of shots using the repitition of street lights and road markings. Then I thought about the type of conversations people have late at night on a long journey. I have had experience of dementia in my family, and I thought it was a topic worth discussing and perhaps be able to find some light in such a difficult situation.

You have unlimited budget, green light for your dream project and can cast anyone you want...
Some kind of surreal twist on reality; I love films that take real life and make it even more uncomfortable. I like the idea of making audiences really feel something indescribable. There are so many talented actors out there, but John Malkovich and Paul Dano are personal favourites, and Elsie Fisher was a delight in Eighth Grade this year.

What are your future goals regarding filmmaking?
I am writing a new script at the moment for a new short. It's a bit different in theme, but I've learnt lessons from The Drive. 

Adam Thomas Wright

Adam Thomas Wright

The Drive will be screened 11.6. with Adam as our guest for the Q&A.
Tickets are available HERE and they will open the door for you at 19:30 at the usual Streatham Space Project.